A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. The reason that this substitution works is that dominant 7 chords with a bass note a tritone … In each case, the expected root note is replaced by one located three whole steps above or below it, which are the same notes an octave apart. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. If you want to know what a tritone sounds like, it’s the opening notes to the Simpsons theme song. Tritone Substitution is usually applied to a Dominant 7 chord. Tritone Substitution is a reharmonisation technique that can be used to add harmonic interest and variety to a chord progression. Tritone substitution. Even though we are talking about b5 substitutions D7b9 isn’t a sub for any of those chords . 0000002477 00000 n The tritone substitution is one of the most common substitution found in jazz. The last two bars are the same shapes with the root and 5th removed, leaving only the 3 and b7. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. In classical music, the tritone is known as diabolus in musica (the Devil in music) or the devil’s interval. The first lick starts with the D minor bebop scale and goes to the Db Lydian dominant scale in bar 2. Here is the list of the printable PDF methods with audio files available for download. Scales are like words. G7 = G B D F 2. Best explanation of this subject that I’ve seen. On the Bbmaj7 it is also possible to use the arpeggio from the 3rd which is a Dm7 arpeggio. A tritone substitution really is a reharmonization technique. In this section, you’ll be looking at how you can play two chords at once over any underlying chord progression in order to bring a modern feel to your lines and phrases. Jump to: navigation, search In jazz, a tritone substitution[1][2] is the chord substitution of a chord with a dominant chord that has its root a tritone away from the original. Nowadays it’s a standard chord in a jazz blues, often preceded with an Am7b5 or Am7. startxref Probably the most popular choice for a tritone substitution is over the V7 chord in a major key ii-V-I progression. This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. 0 Ѹ@��71\4�$�j�G^��Sj[%���?�ܧ�y�\y��I�*���(Fo ��b�� It is, however, very important to follow Damian’s suggestions here. For Em7 that rule doesn’t apply, though the 3rd and 7th still sound good over that chord. JamPlay.com has been a leading provider of guitar education, entertainment, and resources since 2007. what’s going on? For example : playing Db7 over G7. “The Simps” is a tritone, then it resolves to the perfect 5th on “ons”. The basic idea is that the dominant chord “dominates the key”, really allows us the most tension before we resolve the chord. Jan 20, 2018 - In this lesson, you will learn all about tritone chord substitution and how to apply this concept to your jazz guitar solos and comping. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. Now that you know what a tritone is and how it fits into dominant 7 chords, you can take that knowledge to a playing situation. Circle of 5ths Level 2 – Tritone, Tritone Chord Substitutions and Song Applications Many music students are totally confused regarding Tritones and how to use Tritone Chord Substitutios into their music and composition. Hi Phil, the D7 is the V of Gm7 in bar 9. Here are the notes of those two chords for comparison: This is the glue that holds the two tritone sub chords together. But, it can also be a scale move if you know how to apply it the right way. 0000026773 00000 n 0000002017 00000 n You … You could use an altered scale over the G7 chord. After logging in you can close it and return to this page. Progression with a tritone substitution (Db7): C Dm7 Db7 C. It’s called a tritone substitution because the root of Db7 is an augmented 4th (nicknamed a tritone) away from G7. 0000002181 00000 n �T�ُ=X����PA�S=��q3�2���%��L�ނ��p�G��5C�4��.Z�&!9�:6���D�y͸&m�{� F�M�sҋ�$����\��H2�.����2^ Understanding Tritones & Chord Substitutions. Autumn Leaves Classical Guitar Sheet Pdf Autumn Leaves Guitar Tab Pdf. 344 0 obj <>stream Tritone substitutions can be applied to almost any standard that you’re working on but one song you always hear it used on is the Girl From Ipanema. Chord Substitution A guide to chord substitution for guitar players In this tutorial, we're going to learn the most common types of chord substitution .The art of replacing chords is useful for songwriting and for transforming any boring song in an original and creative one. To help you get started with this tritone turnaround, here is an example of how you can play through this pattern in the key of C major. Do things in the right order and you stand a lot better chance of understanding it. This guitar lesson demonstrates how you can play scales and arpeggios starting from the b5 (a tritone away) of the V7 chord in a II V I chord progression. When replacing the VI7 chord with a tritone sub, you create the chord progression I-bIII-ii-V. Lastly, you can apply a tritone sub to both the VI and V chords in a turnaround to produce the chord progression I-bIII-ii-bII, which you can see and hear in the next example. 322 0 obj <> endobj 28 avr. It is the center-point of an octave (splits an octave in two equal halves). Before watching this lesson, you should check out the introduction lesson on Tritone Substitution. Chord Substitution A guide to chord substitution for guitar players In this tutorial, we're going to learn the most common types of chord substitution .The art of replacing chords is useful for songwriting and for transforming any boring song in an original and creative one. Here are some examples of how you can bring this sound into your practicing and improvising as a jazz guitarist. This is called voice leading. This harmonic technique of chord substitution is common in the jazz style. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. F-B is a tritone interval: F to G is 1 tone, F to A is 2 tones, and F to B is 3 tones. 1. A tritone is an interval of an augmented 4th (or a diminished 5th; the distance between the two notes is six half-steps or three whole-steps). Now that you know how to build a tritone scale, R-b2-3-b5-5-b7, let’s take a look at a few common fingerings for this scale on the guitar. The only difference is the #4 of the Lydian dominant scale, which is a natural 4 in the Mixolydian scale. The 3 and 7 of any chord are called guide tones because even if you only play those two notes of a chord you can hear the chord progression. Tritone substitution is fairly straightforward to understand, but learning how to add these cool-sounding chords to your comping ideas can be tougher than it sounds. The tritone scale has the intervals, Root-b2-3-b5-5-b7, so all of those juicy notes we saw in the C7b9#11 chord in the first bar of the example. However, if you are still curious, there are scores of books on jazz harmony out there that wNl give you hours of migraine, should you wish to know more. 0000001967 00000 n Advanced Tritone Substitution Tutorial. They work because the Guide Tones(3rd & 7th) are the same in both chords. Tritone substitution is a very cool jazz chord substitution. You can also use tritone intervals in your single-notes solos, both to outline the 3rd and 7th of any chord, as well as the transitions between chord changes. �sD"K���.���ߥ�6�wP�B �c���1�1K�w���+��/�#K�������'����5h��?Y�dQU��dE�6�:a�KD��1��� What is a tritone substitution? archtop guitar with medium gauge strings through a clean S' ampfifier: I would recornmeråd checking out any of Django Reinhardt's- recordings with the Hot Club aYld listening to he approaches a slow ballàdThisßhouldgiùe you an idea of how tritone substitution can be used to good effect. The amount of information we can learn form studying this exotic harmonic switch so beloved of pro jazz players is myriad. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. Altered Extensions. Guitar Lessons. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". Now it makes sense, thanks! To help you get started with this combined tritone turnaround, here is an example of how you can play through this pattern in the key of C major. The tritone has appeared in Western music for hundreds of years. There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. When replacing the V7 chord with a tritone sub, you are creating the chord progression I-VI-ii-bII. Superb stuff, as ever! The tritone scale has the intervals, Root-b2-3-b5-5-b7, so all of those juicy notes we saw in the C7b9#11 chord in the first bar of the example. How The Tritone Substitution Can Be Applied To Scales. Instead of changing from Dom9 to Dom7(b9) in the second measure, we will play a substitution for the V7 chord, whose root is a tritone … You should then work through the remaining keys, and add this to your practice schedule. One of the most common jazz harmony devices is the tritone substitution. The first place to apply a tritone sub is the V7 chord, as you can see in the chord changes in the lower staff. Tritone substitutes and altered dominants. Yes, it’s definitely cool to think of the tritone sub as a harmonic move. Taking the tri-tone idea a step further is to substitute the G7 with a complete II V, so in this case an Abm7 Db7. Please log in again. In the jazz blues chord chart above, in F how does the D7b9 get in there? In the key of C, a 251 progression contains the chords: Dm7, G7 and Cmaj7. 0000018968 00000 n Like any other substitution, it should obviously be applied cautiously and depending on the overall context of the song. 0000002907 00000 n You also see the 3 of one chord move by half step to the b7 of the next chord, creating a smooth movement between chords along the way. While many of us have checked out side stepping where you move between two chords a 1/2 step apart, you can also bring a modern sound into your lines by playing two different chords a tritone apart over the underlying chord(s) of a given progression. You might not always be playing with a guitar or keyboard player who is hip to what you are doing. Oct 11, 2017 - -~-~~-~~~-~~-~-Looking for my weekly guitar lessons? 0000055663 00000 n Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. Do you have a question or comment about this lesson? The 3 of G (B) is the same as the b7 of Db7 (B), The b7 of G7 (F) is the same as the 3 of Db7 (F). There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… Here’s the tritone (3 and b7) for D7 in four positions on the guitar. A tritone is the interval between a root note and 3 tones above or below that note. The second lick starts with a Dm7 arpeggio, goes into the Db Lydian dominant scale in bar 2, and finishes on the 9 of Cmaj7 in bar 3. Yesterday I gave some detailed examples of common places you can use a tritone substitution, including some tunes that use tritone substitution in different ways. THE MODERN GYPSY JAZZ GUITAR PLAYERS THROUGH THEIR LICKS by PERE SOTO 250 II-V SUBSTITUTION TECHNIQUES by PERE SOTO substitution on V7 triton technique + tensions harmonic chords substitutions 35 D-7 more techniques G7 G7 Db7 triton technique G7Db7 G7(b9) Abº7B^7(b5)/G 36 substitution on II-7 by minor 2ths steps descending D-7 G7 C^7 37 D-7 by 4ths step ascending G7 … And, of course, it sounds great! As well as sounding good over chord changes, the 1235 pattern is fairly easy to play on the fretboard. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. Today we are going to discuss some scales that you can use to approach various tritone substitutions when you improvise. The tritone substitution is one of the most common substitution found in jazz. Learn Songs. But, many people are confused when it comes to using them. Each eBook contains exercises with tab, standard notation, charts, guitar diagrams, theoretical explanations and numeral analysis. Lets say you’re improvising on a G7 chord that functions as a V chord. It’s the VI7, and was popularized by Count Basie (https://www.jazzguitar.be/blog/jazz-blues-chord-progressions/#basie). The following example starts on the D minor pentatonic scale, goes to the Db major pentatonic scale in bar 2 and ends on the C major pentatonic scale in bar 3. Take a listen 6 jazz guitar licks with tabs using the tritone substitution of the V7 chord on a II V I progression. Examine the notes of the G7 compared to it's TT sub, Db7. These two notes “guide” you through the changes: Play these shapes on the guitar to get a feel for how they sit on the fretboard and how they sound. The tritone concept is also very useful for comping and improvised solos. trailer This chord is diametrically opposite V chord on circle of fifths. Tritone Substitutions are cool. A good way to outline these two changes is to use arpeggios for each chord. The last bar in the example below shows you how to play a tritone interval without stretching your fingers beyond 1 fret on the low 2 strings. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. The crystal clear explanations make it possible for us to , after a while, work some of these concepts into our own playing. But, with the right focus, and breaking ideas down into digestible chunks, you can learn to bring a sense of tension and release into your playing just like your favorite modern guitarist. Tritone substitution is a type of reharmonization which is, almost exclusively, applied to dominant chords. By following the exercises outlined in this lesson, you will split your work in half. Article by Jazz Guitar Licks - Guitar Lessons & PDF Methods With Audio Files You can apply a tritone substitution in bar four. Example: G7 is replaced by Db7. CHORD SUBSTITUTION THEORIES Tritone Substitutions (semi-tone approach) Functioning Dominant Use chord 1/2 step above V in a II-V-I. <<5B900C78D973B44C9A3F10232AC819B4>]/Prev 1011973>> The root relationship of the the two chords involved is a tritone. 0000016572 00000 n Tritone substitution is a very cool jazz chord substitution. From there, begin to improvise over minor blues chord progressions and use the tritone side stepping concept to bring a modern flavor to your minor 7 lines. Here’s an example of a solo that focuses on both approaches. Learning how to confidently apply tritone subs to your jazz guitar comping phrases is an essential tool for any jazz guitarist to have. 0000017261 00000 n Db Lydian dominant scale = Ab melodic minor scale = G altered scale. Post it in the comments section below. 0000001514 00000 n Do things in the right order and you stand a lot better chance of understanding it. Now that you know what a tritone is, let’s look at how we use it in your jazz guitar playing, specifically over dominant 7 chords. This classic bebop lick uses some common chord substitutions: The F half-diminished arpeggio over Db7 results in a 9-sound: Learning how to bring a modern jazz guitar sound into your improvised lines, in the style of great players such as Adam Rogers, Kurt Rosenwinkel, Ben Monder and John McLaughlin, can be tough. But despite the fact that the tritone substitution is often encountered, many students are still uncertain as to what it … There are different applications of the tritone, including guide tones and tritone subs, but before you dive into those concepts, you need to know exactly what a tritone is. Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. Tritone Substitution and the 251 Progression: A tritone substitution is an easy way to add variety to a 251 progression. The Tritone Substitution chord is an essential harmonic device to know and love as it is such a phenomenal sound and is key to understanding so much Jazz chromatic harmonic resolution. Here is an example of the 1235 pattern for both Cm7 and F#m7 played over a static Cm7 chord. Note and 3 Tones above or below that note two pitches: F and B then when improvise! 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