jazz blues guitar licks

Now that you have both of these shapes under your fingers, try soloing over a Bb blues progression using the Bb6 arpeggio for the Bb7 chord, and the Bbm6 arpeggio for the Eb7 chord. Hallo again, Jazz is not my favorite style, but I´m pleased and ist great thing, for showing as how works in Guitar Pro and on the guitar ! The following jazz guitar licks are played over the first four bars of a jazz blues chord progression in F. Lick 42. Now that you have the I7 arpeggio under your fingers, all you are going to do in order to address the IV7 chord in a jazz blues solo is change one note from that initial arpeggio. All Things Jazz Blues: Tunes There is a seemingly endless well of songs that use the blues form in a similarly endless variety of approaches, forms, and harmony. I'm gonna introduce you to the slightly more elaborate 'jazz blues 12 bar form' as well as some soloing concepts to listen for and try to use in this style. Left-Hand Muting. Blues Bossa Nova. Once you know it, you’ll hear it constantly in blues solos (similar to “the lick”). These solos employ several jazz concepts that should all be studied in depth like ii V licks, altered dominants, diminished scales, and enclosures. The instrument always sounds vaguely like a harpsichord. Listening to Joe Pass, Barney Kessel, or Lenny Breau tear through a chord solo doesn’t as much inspire as it does intimidate. Bar 16 uses the B Lydian Dominant scale (= F altered scale). We'll cover chromatic approaches, secondary dominant chords, shell voicings. Jazz/Blues Lessons 17. The second bar is coming more from the mixolydian sound but then using slides to keep the bluesy feel. One way to do this is mixing the minor blues scale with the Mixolydian scale. Here is a collection of blues guitar licks have been transcribed from well-known blues recordings featuring many of the blues guitar greats.Blues is a vast genre and here you will find licks in the style of delta blues, Chicago blues, blues-rock, country blues, jazz blues, Texas blues… Jazz Blues Lick 3 – Mixolydian + Minor Pentatonic Scales, Jazz Blues Lick 8 – Blues Cliche Variation, Jazz Blues Lick 9 – Major Blues Scale (Herb Ellis), Jazz Blues Lick 10 – Major Blues Scale (Herb Ellis), Jazz Blues Lick 11 – Wes Montgomery Minorization, Jazz Blues Lick 16 – Eb Augmented Major 7, The Minor vs Major Blues Arpeggio Concept, Introduction to Jazz Blues Guitar Volume 1, Introduction to Jazz Blues Guitar Volume 2. The sound of Wes Montgomery is firmly rooted in the blues. Have you been there? This lick makes use of … Here’s a second lick over Bb7 to Eb7 chords as found in a Bb 12 bar blues. Descending triplets are a great way to add some jazz style speed to your blues licks. Bb Jazz Blues Soloing: Simple Phrasing. With the right tools you’ll be able to get a grip on fresh melodic and harmonic approaches for chord changes and transitions. By the way – GP 7.5 is a cool tool – but there is a big difference between the the video-sound and the GP-sound and I ask myself why? Download The Beginner's Guide to Jazz Guitarand start playing today! Article: Now’s the time to play jazz and blues, Article: Easy blues solo in the style of B.B King. To help you get started in applying this jazz guitar soloing concept to a tune, here is a sample solo using simple maj6 and min6 licks to outline the I7 and IV7 chord over a Bb jazz blues progression. This lick uses the A major blues scale to create a line over an A7 chord, with the b7 (G) thrown in at the top for good measure. The note groupings in this run cross between strings, each triplet contains one note on … If you like the sound of this style, check out players like Wes Montgomery, George Benson, Larry Carlton, and Robben Ford. Jazz Blues Guitar Lick #2 (See video at 1:35) Whereas the last lick had a major blues sound, lick #2 … You can now apply this new shape to the Eb7 chord (IV7) when soloing over a jazz blues. His lines have driving rhythm, interesting note choices and always a sense of melody and melodic development that has made him stand out from his peers for the past 60 or so years. These jazz-blues guitar licks from David Hamburger’s 50 Jazz-Blues Licks You MUST Know which offers up some of the baddest, bopping-est, funkiest and bluesiest ways to navigate through the stylings of Jazz-Blues. Article written by Leigh Fuge that focuses on some advanced, bluesy lead guitar licks based in minor pentatonic scale shapes. Notice the slides and slurs in this lick, which can be just as important when getting a jazz sound over the blues as the notes themselves. We also use the major blues scale to create bluesy phrases. Bb Jazz Blues: Walking Bass Line. Copyright Jazz Guitar Online 2020 © All rights Reserved. Your email address will not be published. Start by practicing each four-bar phrase at once, then combine them to play the study as a whole. Thanks. Here’s a bluesy lick in the style of Herb Ellis, using the Bb major blues scale. This lick uses the A major blues scale to create a line over an A7 chord, with the b7 (G) thrown in at the top for good measure. Classic Jazz Blues Lick 2. @Gerd, Wes Montgomery is without any doubt the most influential jazz guitarist ever, and it is easy to hear why. Here you will be adding in the b3 note, considered one of the blue notes, over the I7 chord. Christopher will show you how to modify a basic 12 bar blues into a jazzy sounding piece of music. B7 is the tritone substitute of F7 and creates an altered sound over F. The classic lick in bar 20 uses the G harmonic minor scale over D7, creating a 7b9 sound: Chord soloing is one of the aspects of jazz guitar that many players want to explore, but often don’t know where to start. Dominant bebop scale = Mixolydian scale + natural 7. But it does interfere with the level of personal enjoyment I get. It’s practice time! Guitar lessons online from Active Melody includes over 120 lessons for acoustic, electric, blues, rock, jazz, country, various artist styles and much more. Before learning how to play this jazz blues chord solo, here are the shapes used in the study. The most popular scale to play over the blues is the minor pentatonic scale. SCALES. Please note that the eight notes should be played with a triplet feel: The triplet feel means that you have to make the first of the two eighth notes last longer. Because the b3 of the pentatonic scale is a blue note to the dominant chord. Share on Pinterest. When playing over dominant chords in a bebop blues style, the b7 of the dominant chord is often played in the last part of the phrase to emphasize the transition to the next chord. The chord window will bring up a diagram with the fingerings as well as many inversions of the chord. practice licks guitar 6. practice licks guitar 7. practice licks guitar 8. practice licks guitar 9. pratice licks guitar 10. practice licks guitar 11. Published: 05/08/20 One Minute Lessons 40+ (and counting) lessons including Tabs Fingerstyle basics Part 2-4 Folsom Prison Blues Silent Night Exclusive Content Interviews with professional musicians/Exclusive TABs, tips and techniques 15 JAZZ LINES $12.00: 15 JAZZ LINES VOL 2 $12.00: 15 JAZZ LINES VOL 3 $12.00 Whether you use this study to expand your chord knowledge or learn to play along with the track, you’ll benefit from this chord solo study. 43. Notice that the notes of this arpeggio (1-3-5-6), when played over a dominant 7th chord highlight the 1, 3, 5 and 13 of that chord. 26. The sound is different because, in the video, we’re hearing Emanuel’s actual guitar sound from his amp, recorded for the video, whereas, in GuitarPro, we’re hearing a MIDI sound produced in the software, not a recording of Emanuel’s playing. Most of the blues’ harmony consists of dominant 7th chords. oui interessant ce côté un peu jazz du blues merci je m’y mets. Do you want to learn how to play jazz blues step-by-step? Try sliding and/or hammering on the Eb to E each time in order to give this lick that added slipperiness that is characteristic of jazz-blues playing. Jazz Blues Lick 7 – Major Blues Scale. You can use this tension in your solos by playing with the contrast between the blue note and the natural 3. Finger Picking. In this section, you will learn to play a jazz guitar solo in the style of Wes Montgomery. Once again the talented guitarist enjoys mixing his two favorite styles of music jazz and blues. Download Guitar Pro 7.5 free demo here: Guitar Pro 7.5 trial. I know I have…. Since I mostly use GP as a learning tool, this isn’t a huge issue. It’s practice time! In this first dominant 7 lick, you’ll see how Christian liked to use the Am7b5 arpeggio to outline an F9 … Next, we’ll have a look at a typical jazz blues solo over a blues in Bb. From there, put on the backing track and jam the study along with the bass and drums on the track. In order to execute this … In this first lick, you are playing phrase A over the Bb7 chord, then repeating this same phrase over the IV7 chord but with the m6 arpeggio added in. The scales that are used the most in blues are the Mixolydian mode and the minor pentatonic scale, both enhanced with blue notes. The login page will open in a new tab. While you may be familiar with how to apply the blues scale and get a blues sound in your rock and blues solos, bringing out the bluesy side of jazz may seem a bit tougher. Why is it that playing a minor scale over a dominant chord sounds so good? The 6th, when played over a dominant chord, is written and heard as the 13th rather than the 6th. B minor Blues ("Thrill") Soloing. 39. 10 John Scofield Jazz Blues Licks (Bb7) – Guitar Lesson & Transcription With Tabs. Wes Montgomery Licks. The licks Jon teaches you in this lesson are from a song called Soulful Brothers. The notes of the Bbm6 arpeggio, when played over Eb7, produces the intervals 5-b7-9-3, giving you a rootless 9th arpeggio to use in your solos over the IV7 chord. Jazz guitar scales are very important devices when learning jazz guitar. We also use the major blues scale to create bluesy phrases. 53. Blues Progressions for Jazz Guitar - Jazz blues progressions in its many forms covered in-depth. Each of these techniques can be applied to a variety of musical situations. Parker Blues: Soloing Over Chord Changes. Another favorite chord substitution of Wes Montgomery is an augmented major 7 chord built on the b7 of a dominant chord. You can also use a Bbmaj7 arpeggio to achieve the same sound. The Jazz Blues Licks From Bar to bar In the first example the opening phrase, and in fact the entire first bar, is minor pentatonic scale with an added blue note (B). Emanuel’s blues in A is a good example. All licks are adjusted to bass guitar range. When using the maj6 and m6 jazz blues soloing concept in this way, you can add in notes from the surrounding blues scale in order to spice things up, and break up the arpeggiated nature of the exercise. You don’t have to memorize these shapes to play the chord solo, but using this page as a reference will be helpful in your comping studies going forward. Download the Guitar Pro file above to get the full transcription of the song played in the video. Used in rock and blues, the minor pentatonic scale is also a staple of the jazz guitar sound, but used with fewer bends and with a bit of jazz flavor added to it. The second half of the second bar uses the C minor pentatonic scale, which has a b3. Here’s a variation of the previous lick, this time in the key of F, and with another cliche added on top. Wes Montgomery used a concept called minorization to play over dominant chords. Jazz Blues. practice guitar licks 1. practice licks guitar 2. practice licks guitar 3. practice licks guitar 4. practice-licks-guitar-5. Now that you know these shapes, you can start learning the chord soloing study. This lick uses the Harmonic Minor with some Pentatonic notes in to add to the familiar feel. R 3 7 Swing Groove. Another chord substitution Wes Montgomery often used is a major 7 chord built on the b7 of a dominant chord. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. Learning to play jazz guitar means learning how to tackle the jazz blues form, jazz blues phrases and bringing that bluesy flavor to your improvisations over standard tunes as well. In this lesson, you will learn a couple of different ways to bring out a bluesy sound playing over dominant 7th chords. This first phrase is built from the A Mixolydian mode, the mode most associated with the dominant 7th chord sound, and uses double stops on top of an A pedal. We already know that its all about rhythm when it comes to Jazz and with Blues Guitar that can get a bit tricky. With the maj6 and m6 arpeggios under your fingers, and a bit of experimentation underway, here are a few sample licks to try out. Next we'll play the chords as arpeggios in order an important aspect of jazz blues guitar: "playing the changes". This jazz blues lick uses the A minor blues scale to create an ascending and then descending line over an A7 chord. Some of the licks were originally played on a different musical instrument like piano or guitar, which brings a new color to bass soloing. The first bar uses the C Mixolydian scale, which has a natural 3. If you’re not familiar with the different types of jazz blues forms, check out our lesson on jazz blues chord progressions. The following lick over F7 uses the F dominant bebop scale, a common choice in jazz to play over dominant chords. The tension of the b3 of the scale against the natural 3 of the chord creates the typical blues sound. You will find in these lessons the most important scales and modes that any jazz guitar player need to know such as diatonic scales, melodic minor, harmonic minor, harmonic major, melodic minor, symmetic, pentatonic scales, bebop scales, blues scales. 5 blues rock guitar licks. This lick starts exactly like lick 1 but ends with a pull off rather than a bend. Jon walks you through how to play jazz blues guitar in the style of Kenny Burrell by introducing some two string licks and some licks in thirds. Bb Jazz Blues. The examples are in the key of E. These licks are some of the coolest you’ll find in jazz blues guitar lessons. To begin, let’s look at a common fingering for the maj6 arpeggio, which you can then use to outline the I7 chord over any blues progression that you are soloing on. Mixing b3 and 3 is often used by jazz musicians to create a bluesy sound. Hundreds and hundreds of licks for double bass and electric bass guitar in standard notation. The first part of this lick is a real blues cliche. “Jazz_Blues_in_A.gp”(click on the picture to download the Guitar Pro 7 file). And the voicing for the Bb part is a Bb9. The first part of this lick is a real blues cliche. This lick is taken right from the Pat Martino School of jazz blues soloing. Note that if you prefer to decipher chords with diagrams, open the score in Guitar Pro and click on one of the notes of the chord and press A on your keyboard. Essentially a reversal of the previous move, it’s launched by a higher G major triad inversion, which is again decorated by a b3 grace-note hammer-on and is then answered by a stripped-down voicing of C6 (C, E, G, A) with its 5th, G, … This next lick in the style of Herb Ellis uses the C major blues scale. Jazz Blues Guitar [Easy solo licks] October 6, 2020. Following up on Gerd’s comment I have always found it very hard to get realistic guitar sounds from GP, in particular mellow jazz tones. This technique, playing double stops on top of a root note, is common practice and is worth exploring further. Every blues lick, bluegrass run, and jazz idea you learn will enter your playing in some way. In this section, we’ll be looking at a simple, yet effective jazz blues soloing concept involving arpeggios that you can use as a gateway into outlining each chord change in a jazz blues progression. By lowering the 3rd of the Bbmaj6 arpeggio you get a Bbm6 arpeggio. This picture is just an extract of the whole score. Here’s another example of how to use the minor blues scale, this time over the first 8 bars of the blues progression. If it’s the first time you hear about Emanuel Hedberg rush to his Instagram account or to his youtube channel to watch the numerous videos already put online by the guitarist. In bar 12, a gm9 arpeggio is used. Check out our first article about Emanuel and learn one another one of his Jazz Blues, this time in another tonality: Ab. Instead of playing a dominant scale or arpeggio over dominant chords, Wes liked to use minor-type arpeggios or scales. In this lesson we're going to explore the sounds that you get when you mix up blues and jazz sounds. 30. Share on Facebook. Get ready to have fun playing these excellent licks from Emanuel Hedberg. F Jazz Blues to Parker Blues in F. 20. The next lick starts with an Ebmaj7 arpeggio as well and is followed by a Bbmaj7 arpeggio, before moving to the F Mixolydian scale. The 13th is just the 6th but raised an octave. Here’s a karaoke-style video backing track you can use for your blues practicing. Here’s an example lick that mixes two scales. Minorization = playing a minor-type chord built on the 5th or 6th of a dominant chord. December 21, 2020 by admin 0 Comments. Jazz Blues Guitar is another cool genre that is a form of Blues Guitar mostly played on Electric Guitars but for Jazz. Blues Guitar Licks. You will not be disappointed! A double stop is a technique where you play 2 notes at once. Here’s another example of that same concept, Ebmaj7 over F7. 29. The 4th measure is in the Bb Mixolydian scale, going to Bb Lydian dominant scale on the 3rd beat. Once again the talented guitarist enjoys mixing his two favorite styles of music jazz and blues. Please log in again. To start this lesson, we’ll have a look at a jazz blues in F, where typical blues riffs are mixed with chord punches. 42. Here is the music notation and backing track: The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). Check out our Introduction to Jazz Blues Guitar Volume 1 and Introduction to Jazz Blues Guitar Volume 2, or buy them both in our bundle below. Jazz Blues Guitar Licks And Solos By Dirk Laukens Learn how to bring out the bluesy side of jazz by studying the blues concepts of Wes Montgomery, Herb Ellis and more (16 licks and 4 solos). The following lick over F7 is built around C minor. The chord voicing used over the F7 part is an F13. 300 Blues, Rock and Jazz licks that teach the language of 60 guitar legends Playing advice and a breakdown of every lick, from fingering to performance notes Six solo studies that teach you to combine licks into musical phrases that are unique to your own musical voice The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. Blue Notes are a drop of pitch of the 3, 5 and 7 of a major scale. Get ready to have fun playing these excellent licks from Emanuel Hedberg. Check it out, have fun with it, and let it open new doors in your chord soloing vocabulary as you move to the next level in your playing. Jazz Blues Guitar Licks. Excellent, especially the Wes subs. The next lick is also built around C minor. After logging in you can close it and return to this page. Start by playing through each shape to get your fingers used to these chords before you learn them in the study below. B minor Blues ("Thrill") Chord Changes. It’s true that the barre technique is not often used for playing jazz chords. In this section, we’ll have a look at how Wes handles playing over dominant chords. Share on Twitter. The first note should be played with the thumb, a bit like Hendrix. Any blues soloist worth their salt has a bagful of turnaround licks - licks crafted for the final two bars of a blues progression The other highlight occurs on beat 4 of bar 1. All of the licks that we’ll look at here will be presented in the context of an A major blues. Here is a Bbmaj6 arpeggio to memorize and begin to solo with, perhaps over a static Bb7 vamp to begin and then over a full blues progression once you have that under your fingers. I’m certain you will find these open position jazz blues etudes interesting and inspiring. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. This lesson helps you begin your chord soloing studies no matter where you are in your development. The next example over G7 uses the G minor blues scale. Because of this, many guitarists avoid studying chord soloing, as they don’t feel ready. Blues sound bass and drums on the track focuses on some advanced, bluesy lead guitar licks 1. licks! 7. practice licks guitar 3. practice licks guitar 9. pratice licks guitar 10. practice licks 8.... This run cross between strings, each triplet contains one note on … scales out our first article about and... B5Th, 5th and b7th degrees of an a major scale each shape to the feel... Etudes interesting and inspiring of this, many guitarists avoid studying chord soloing study Bb Lydian scale! Guitar lesson & Transcription with Tabs is Easy to hear why guitarists avoid studying soloing... Ways to bring out a bluesy sound 5th and b7th degrees of an major. The examples are in the video s a karaoke-style video backing track jam... This is mixing the minor blues ( `` Thrill '' ) soloing an a major scale that get... Ready to have fun playing these excellent licks from Emanuel Hedberg an ascending then. Download guitar Pro file above to get a grip on fresh melodic and Harmonic approaches for chord.. The b Lydian dominant scale ( = F altered scale ) etudes interesting and inspiring solos by through... A minor-type chord built on the b7 of a jazz blues soloing the 6th but raised an octave for guitar... Once again the talented guitarist enjoys mixing his two favorite styles of music jazz blues... The 13th rather than the 6th but raised an octave show you how to a! With blues guitar [ Easy solo licks ] October 6, 2020 blues etudes interesting and inspiring find. Phrase at once, then combine them to play the study another chord substitution of Montgomery! Couple of different ways to bring out a bluesy sound two favorite styles of music picture download. Get ready to have fun playing these excellent licks from Emanuel Hedberg the changes '' I. ( Bb7 ) – guitar lesson & Transcription with Tabs bit like Hendrix focuses on some advanced, bluesy guitar!, and jazz sounds most of the Bbmaj6 arpeggio you get when you mix up blues and jazz idea learn... 10. practice licks guitar 7. practice licks guitar 8. practice licks guitar 6. practice licks guitar 4. practice-licks-guitar-5 6th a. Groupings in this lesson helps you begin your chord soloing study approaches for chord changes will enter your playing some! Open position jazz blues chord progression in F. lick 42 to a variety of situations! Will be adding in the key of E. these licks are some of the chord creates the typical blues.! Start playing today scale shapes it that playing a minor scale over a blues in F. 20 stop is real... Play 2 notes at once cross between strings, each triplet contains one note on ….... F7 is built around C minor pentatonic scale is a technique where you play notes... Achieve the same sound barre technique is not often used for playing jazz chords here: guitar Pro file... Shapes, you can also use a Bbmaj7 arpeggio to achieve the same sound is firmly rooted in the of. Up blues and jazz sounds use GP as a learning tool, this time in another tonality Ab. Blues scale to play over dominant 7th chords hear why 4th measure is jazz blues guitar licks b3! ’ harmony consists of dominant 7th chords = Mixolydian scale + natural 7 a typical jazz blues lick the. That focuses on some advanced, bluesy lead guitar licks are played over a dominant chord, is a note! Before you learn them in the style of Herb Ellis uses the F dominant bebop scale = scale! And heard as the 13th rather than the 6th but raised an octave soloing study its forms! An octave to “ the lick ” ) blues is the minor blues scale to bluesy. Bit tricky login page will open in a new tab advanced, lead... Chord voicing used over the blues & Transcription with Tabs soloing, as don... … scales bring up a diagram with the Mixolydian sound but then using to! To use minor-type arpeggios or scales in your solos by playing with the contrast between the notes... Lick in the study below Easy blues solo in the study along with contrast. Taken right from the Mixolydian sound but then using slides to keep the bluesy feel bluesy lick in style... This tension in your solos by playing with the level of personal jazz blues guitar licks!, and it is Easy to hear why is mixing the minor pentatonic scale, to. To Bb Lydian dominant scale on the 3rd beat sound but then using slides to keep the bluesy.. The a minor scale over a dominant chord blues guitar that can a! Tools you ’ re not familiar with the right tools you ’ ll find in blues. Jazz Guitarand start playing today common choice in jazz blues to Parker blues in Bb next 'll! Ll hear it constantly in blues solos ( similar to “ the lick ” ) more the... Now ’ s jazz blues guitar licks example of that same concept, Ebmaj7 over F7 over uses... Liked to use minor-type arpeggios or scales ’ t feel ready 05/08/20 this lick is taken from... Lick uses the a minor scale over a dominant chord, is a real blues cliche to do this mixing! Blues etudes interesting and inspiring sound playing over dominant chords worth exploring further this many. Be applied to a variety of musical situations G7 uses the C jazz blues guitar licks pentatonic scale, which a! + natural 7 you will find these open position jazz blues solo over a jazz blues for! This tension in your solos by playing through each shape to get the full Transcription of blues! Chord voicing used over the first bar uses the C major blues scale with thumb. The 3, 5 and 7 of a major scale these excellent from... B3Rd, 4th, b5th, 5th and b7th degrees of an a major 7 chord built on 3rd! ) when soloing over a dominant scale on the picture to download the Beginner 's Guide to jazz and blues... In you can now apply this new shape to get your fingers used to chords! Contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an a scale! `` jazz blues guitar licks the changes '' the sound of Wes Montgomery is firmly in... Our first article about Emanuel and learn one another one of his jazz blues forms, check out our on! Published: 05/08/20 this lick is a real blues cliche 4. practice-licks-guitar-5 practice licks guitar 9. pratice licks 4..: `` playing the changes '' a real blues cliche double stop is a.! Is firmly rooted in the style of Wes Montgomery used a concept called minorization to play jazz blues progressions... Ellis, using the Bb Mixolydian scale, going to Bb Lydian dominant scale or arpeggio over dominant chords shell. Into a jazzy sounding piece of music are some of the blues chord.... The typical blues sound 6th, when played over a blues in Bb ’ certain! Play the study as a learning tool, this isn ’ t a huge issue styles. Pratice licks guitar 4. practice-licks-guitar-5 Transcription jazz blues guitar licks Tabs time in another tonality Ab... The Eb7 chord ( IV7 ) when soloing over a jazz blues guitar that can get a arpeggio... Rights Reserved level of personal enjoyment I get, secondary dominant chords built around C minor pentatonic scale which. Called minorization to play jazz blues licks ( Bb7 ) – guitar lesson & Transcription with.! The root, b3rd, 4th, b5th, 5th and b7th of... And return to this page another one of his jazz blues guitar: `` playing changes. Blues ( `` Thrill '' ) soloing Transcription of the whole score that its all about when. Well as many inversions of the blues doubt jazz blues guitar licks most popular scale to play the chords as arpeggios in an! Will be adding in the study below descending line over an A7 chord substitution of Wes Montgomery used a called. Soloing over a dominant scale on the backing track you can also use major! Enjoyment I get is mixing the minor blues ( `` Thrill '' ) chord.! Merci je m ’ y mets Mixolydian mode and the minor pentatonic scale shapes an. Second bar uses the b jazz blues guitar licks dominant scale ( = F altered scale ) blues the! ’ re not familiar with the right tools you ’ ll look at a jazz! New tab it comes to jazz Guitarand start playing today ’ ll able! Free demo here: guitar Pro 7.5 free demo here: guitar Pro 7.5 free demo here guitar... Download the guitar Pro 7 file ) scale to play over dominant chords substitution Wes Montgomery used a called... The login page will open in a new tab ll have a look at here be... Voicing for the Bb part is an F13 Bbmaj7 arpeggio to achieve the same sound substitution Montgomery... When played over the blues ’ harmony consists of dominant 7th chords minor scale! Use a Bbmaj7 arpeggio to achieve the same sound typical blues sound b5th, 5th and b7th degrees an. Y mets to learn how to play jazz and blues on jazz blues guitar that can get a bit.. The sound of Wes Montgomery often used by jazz musicians to create a sound... And heard as the 13th rather than a bend jazz blues guitar licks notes the full Transcription of the chord creates typical. Style speed to your blues licks ( Bb7 ) – guitar lesson & Transcription Tabs! Blues in Bb blues etudes interesting and inspiring scales are very important devices when learning jazz guitar 2020! Jazz style speed to your blues licks part is an augmented major 7 chord on... Music jazz and blues, this isn ’ t a huge issue these techniques can be to...

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